Cloud : Desember 2011

Rabu, 28 Desember 2011

[H277.Ebook] Ebook Scary Summer (Goosebumps Graphix, No. 3), by R. L. Stine

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Wish that summer would never end?
Not THIS Scary Summer!
The third GB Graphix collection features acclaimed artists Dean Haspiel, Kyle Baker, and Ted Naifeh.

Three hot, talented comic artists adapt these bestselling Goosebumps books into a cool new graphic format.
Someone's creeping through the garden, doing nasty things! Dean Haspiel, a veteran of Batman and Justice League comics, knows just how to portray "The Revenge of the Lawn Gnomes."
In his comic series like The Bakers and Plastic Man, Kyle Baker proves he's one funny artist, the perfect guy to draw a story about fun and games at camp--until "The Horror at Camp Jellyjam" is uncovered.

Sales Rank: #241037 in Books
Brand: GRAPHIX
Published on: 2007-07-01
Original language: English
Number of items: 1
Dimensions: 8.91" h x .38" w x 6.21" l, .77 pounds
Binding: Paperback
144 pages

Features

Great product!

About the Author
R.L. Stine's books have sold more than 300 million copies, making him one of the most popular children's authors in history. Besides Goosebumps, R.L. Stine has written series including: Fear Street, Rotten School, Mostly Ghostly, The Nightmare Room, and Dangerous Girls. R.L. Stine lives in New York with his wife, Jane, and his King Charles spaniel, Minnie. www.RLStine.com.

Most helpful customer reviews

3 of 3 people found the following review helpful.
I'd Only Recommend It To True Fans
By Dr. Alfengheist
I've been a huge fan of the Goosebumps books ever since I was younger (I'm 19 now, and although I rarely read them anymore, nothing is more nostalgic for me than digging through my box of Goosebumps books and flipping through them).
Having said that, I must say that the Goosebumps Graphix can probably only be appreciated by fans like myself. Anyone picking up these books without being able to appreciate them as Goosebumps adaptations would most likely find them cheesy, short, and messy.
I've only read #3 (Scary Summer), and here is my review:
"Revenge of the Lawn Gnomes" was well-done graphically, although the first several pages seemed too rushed and and it only started showing a real plot about halfway through.
"Ghost Beach" was by far the best of the three, combining very dark and appropriate artistry with a decent adaptation of the original material, although the plot twist at the end wasn't as well-adapted as it could have been.
"The Horror of Camp Jellyjam", one of the more quirky books of the original series, was my least favorite here. The drawing style seemed to be ripped right out of a newspaper comic strip, and the artist just didn't seem to put too much thought into properly adapting the plot and fleshing out the frames (many of the backgrounds were left blank, other than the occasional tree or stick figure).
It was nice to see short biographies of the three authors at the end of the book, showcasing their past works and adaptation methods.
Overall, I think the Goosebumps Graphix series is a well-though-out idea, and I really enjoyed seeing the different writing and art styles depicted in each story. I hope to see more books like this in the future.

1 of 1 people found the following review helpful.
Great books for non readers
By S.K.
My son does not like to read, however, the graphix novels really grab his attention and keep it, probably because it is more like a comic book. He can't put them down and that makes me very happy!

0 of 0 people found the following review helpful.
My daughter loved it
By JadedandSweet
I purchased three of the Goosebumps Graphix books for my seven year old. She’s really gotten into some of the other graphic type books like Baby Mouse, Smile/Sisters, etc., so I thought with that combined with her interest in anything spooky she may enjoy these. She read all three in one day and even read one twice. She said that they were scary but they didn’t seem to give her nightmares or be over the top. Great books for those who are still a little young for the traditional Goosebumps books.

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Senin, 26 Desember 2011

[L679.Ebook] Get Free Ebook Goat Health and Welfare: A Veterinary Guide, by David Harwood

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Goat Health and Welfare: A Veterinary Guide
by David Harwood, BVM
Hardcover - 175 pages

This clearly written, well illustrated book follows this maxim and is an invaluable, practical reference covering prevention, symptoms and treatments of all goat diseases. The book is easy to read and easy to understand. Chapters include feeding and management, reproduction, prevention is better than a cure, problems encountered in young kids and much more. The author David Harwood is an experienced veterinary surgeon and acknowledged expert in goat medicine. Provides pointers as to when a vet needs to be called or consulted. Useful appendixes include a glossary of terms and a list of notifiable goat diseases and typical nutritional values.

Sales Rank: #1195371 in Books
Published on: 2006
Format: Import
Original language: English
Number of items: 1
Dimensions: 9.69" h x .67" w x 7.44" l, 1.57 pounds
Binding: Hardcover
200 pages

Features

Hardcover . Copyright 2006.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Handy Reference
By Marcia Lundy
I really like this book, it goes deeper into the medical issues surrounding your goats. It is easy to use when you are wondering whether to call the vet or just need basic care information.

1 of 1 people found the following review helpful.
Five Stars
By dm
Thank you, description was helpful.

1 of 1 people found the following review helpful.
Great book with excellent information.
By Marg52
Very helpful. Love the front cover picture.

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[F339.Ebook] Free Ebook Blender Production: Creating Short Animations from Start to Finish, by Roland Hess

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Short animation projects are ambitious and time-consuming, but with a good plan and toolset, they can be hugely rewarding. Blender expert Roland Hess will get you up to speed on animated short fundamentals, including writing, storyboarding, blocking, and character creation. This follow-up of Blender Foundations will introduce the more advanced functionalities of Blender, such as the Library and Linking system, physics simulators, the integrated compositor, and the Sequence Editor. If that wasn’t enough, this tutorial-based book will also have you create a short animation from scratch, making you a master of the Blender toolkit in no time.

* Learn how to fully manage your art assets using the Library and Linking system

*Gain practical advice on story construction tailored specifically for short animations

*Companion website includes the full Blender software kit, sample project files amounting to 100+ MB of valuable content, including models, textures, materials, scenes and animations

***PLEASE NOTE THAT WE ARE CURRENTLY EXPERIENCING DIFFICULTIES WITH THE COMPANION SITE URL. PLEASE VISIT http://cw.routledge.com/textbooks/9780240821450/ TO ACCESS ALL OF THE COMPANION MATERIALS!***

Sales Rank: #1157334 in Books
Brand: Brand: Focal Press
Published on: 2012-07-18
Original language: English
Number of items: 1
Dimensions: 9.75" h x 7.50" w x 1.00" l, 1.78 pounds
Binding: Paperback
320 pages

Features

Used Book in Good Condition

About the Author
Roland Hess is the leading expert on Blender. He is one of a handful of people who has been involved with Blender since its inception, and is a key voice in the community. Hess brings a unique perspective to Blender instruction that bridges the difficult gap between technical knowledge and artistic expression. Hess wrote Focal Press titles: Animating with Blender (2009) and Tradigital Blender (2011)

Most helpful customer reviews

9 of 9 people found the following review helpful.
Solid book ... read the title!
By Randy P.
This is a solid book that covers exactly what the title promises, in exactly the way the title implies.

Some buyers will read the subtitle and expect this book to be a comprehensive guide to making short animated films. Others will expect a complete guide to using Blender for creating animation. You get a little of both in this book, and that is a good thing. It's not a book about Blender, or about making short films, but a book about the process of using Blender to make short films. In that subtle distinction lies the basis for one of the most useful books on my sagging, overloaded Blender shelf.

Chapter by chapter, author Roland Hess walks the reader through the creation process of his own short film, "The Snowmen." Starting with a rough story idea, he proceeds through scripting, storyboarding, dialogue, music, audio, animatics, rendering, editing, compositing, etc. While this is interesting, hundreds of other books on filmmaking cover the same subjects, most of them in more depth.

Where this book shines is in linking the generic concepts to the particulars of using Blender. (It's a book on Blender production, remember?) While any book on digital filmmaking will cover making animatics, for example, this one goes into detail on making OGL previews from Blender's 3D viewport and combining them with stills and audio in the Sequence Editor. The expected checklist of render cheats and gotchas is specifically tailored to the UI and terminology of Blender 2.5/2.6. There's even coverage of the Grease Pencil tool as an animator's aid.

"Blender Production" makes the jump from "good" to "essential" in the chapter on project setup and file management. Hess is a fanatic about organization, and once you've spent a few minutes boggling over the sheer amount of data required to make a few seconds of "The Snowmen," you will be too. His project layout is straightforward, logical, and clearly explained in every detail. Likewise well-explained is the workflow that accompanies it. If you follow along with the downloadable project files (you ARE following along, aren't you?), you'll know exactly how to create assets, store them, and share them with a team without breaking a link or dropping a polygon. There are other guides to project management in Blender, but I've found none that are simpler, clearer, and better suited to the needs of a single-person or small-team project.

If you're in the market for a more general book about Blender's movie making tools, pick up Tony Mullen's "Blender Studio Projects: Digital Movie Making." Between that book and this one, you'll have everything you need to tackle a short film in Blender except time, imagination, and persistence. You'll have to supply those things on your own. :-)

6 of 6 people found the following review helpful.
Ane excellent book for the more advanced Blender user
By Nicholas Jainschigg
For a relatively small program, Blender is far from lightweight. In fact, it incorporates almost an entire video production suite and this is the first book I've seen that addresses Blender from the point of view of video and animation workflow. There are other resources out there that address rigging, sculpting, polygon flow, video editing and compositing and so forth, but what this book does spectacularly well is guide you through the planning and execution of a small animation: the sort of thing anybody might try to do, but which so often fails because of an incomplete grasp of the complexity of the process.

In a series of chapters beginning with an overview of the whole project, Hess lays out very clearly and from obvious experience how to solve problems before they occur. Chapters on "Story", "Organization", and "Managing Animation At The Project Level" I found particularly helpful, dealing with first--how to not bite off more than you can chew, second--how to set up files and naming conventions to keep track of the surprisingly large amount of stuff, and third--how to not go mad from keeping track of where you are in the process.

In sum, the book is very much like having an experienced producer at your back--not giving you too much guidance on the art but being really, really helpful about getting the thing done.

0 of 0 people found the following review helpful.
Nice stuff
By Adhoniran S. Gomes
Good stuff, like other books from author. A good language, with hints and from professional view. It's a recommended book for all.

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Rabu, 21 Desember 2011

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Applied Survival Analysis: Regression Modeling of Time to Event Data by Hosmer Jr., David W., Lemeshow, Stanley, May, Susanne [Wiley-Interscience,2008] (Hardcover) 2nd edition [Hardcover]

Binding: Hardcover

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Senin, 12 Desember 2011

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When Myrtle Clover and her friend Miles attend a play in their small town, there’s a full house on opening night. It’s clear to Myrtle that one of the actresses is a stage hog who loves stealing the spotlight. Nandina Marshall certainly does upstage everyone—when her murder forces an unexpected intermission. Can Myrtle and Miles discover who was behind her final curtain call….before murder makes an encore?

Sales Rank: #978185 in Books
Published on: 2015-11-28
Original language: English
Number of items: 1
Dimensions: 7.81" h x .51" w x 5.06" l, .47 pounds
Binding: Paperback
226 pages

Review
Praise for Myrtle Clover Mysteries: Publishers Weekly: "Myrtle's wacky personality is a delight." Mystery News: "Wonderful cozy mystery: solidly written, well-plotted and funny." ForeWord: "The treat here is Myrtle's eccentricity, brought to life with rich humor and executed ...with breezy skill."

About the Author
Elizabeth writes the Southern Quilting mysteries and Memphis Barbeque mysteries for Penguin Random House and the Myrtle Clover series for Midnight Ink and independently. She blogs at ElizabethSpannCraig.com/blog , named by Writer’s Digest as one of the 101 Best Websites for Writers. She curates links on Twitter as @elizabethscraig that are later shared in the free search engine WritersKB.com. Elizabeth makes her home in Matthews, North Carolina, with her husband and two teenage children.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Fast Food and Fun! Myrtles hunt for a new pasttime is a Hoot!
By Life Part 1
Another great Myrtle Clover book! I've enjoyed all of them and even got my husband reading them. The characters are well developed but still hold some surprises in each new book. You also have the familiar relationship with Myrtle and her son Red, but she never ceases to surprise this octogenarian, as well as her steady sidekick, Miles. I loved that Miles cousin was more involved in this one and it lead to a truly surprise ending!
This one combines sleuthing with snooping, of the eavesdropping kind!

Keep them coming Elizabeth!

4 of 5 people found the following review helpful.
Loved This - Can't Wait for the Next Myrtle Clover Novel!!!
By L. Brooks
I read a lot of mysteries, and out of all of them, Myrtle Clover is currently my favorite! The things that I love best about this cozy mystery series are the witty banter between her and her son, Red, and her neighbor and side kick, Miles. I also like how the author literally has us walking alongside of Myrtle as she pieces the clues together and solves the mystery before the police! I can barely stand the wait in between novels!

4 of 5 people found the following review helpful.
Great Series
By Grandma Barbara
This is another really good Myrtle Clover mystery. I really enjoy reading these cozy mysteries and am now looking forward to the next one. I started reading these on Kindle but I just enjoy having the real book in my hands. Congratulations to ms. Craig on another great mystery.

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Kamis, 08 Desember 2011

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Still More Hot Illustrations for Youth Talks 100 More Attention-Getting Stories Parables and Anecdotes - 1999 publication.

Sales Rank: #10763057 in Books
Published on: 1998-02-01
Binding: Paperback

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Rabu, 07 Desember 2011

[B650.Ebook] Download Ebook 175 Best Babycakes Cupcake Maker Recipes: Easy Recipes for Bite-Size Cupcakes, Cheesecakes, Mini Pies and More!, by Kathy Moore, Roxanne W

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They may be called "Babycakes," but the results are definitely grown up.

The Babycakes™ Cupcake Maker is one of the most popular entries into the small appliance category in recent years. Over one million units of this nifty and charming appliance were sold last year, with the numbers only expected to increase as news, reviews and word spread about this ingenious appliance.

The Babycakes™ Cupcake Maker is a stand-alone appliance that sits on the countertop, has a cooking area and closes with a hinged and handled lid. It features a nonstick surface that contains eight compartments for baking cupcakes, muffins, cheesecakes, hand pies and tarts, quiches, scones, pot pies or appetizers. It's hugely efficient -- it can bake eight cupcakes in just five to eight minutes -- so you can begin to understand the huge appeal. It also comes with an icing bag, decorating tips and crust tools to ensure perfect results every time. These deliciously delightful recipes have been created specifically for use in the maker and go from breakfast to bridal showers to after-school snacks and elegant parties. They include:

Red velvet cupcakes
Cookies and cream cupcakes
Pink lemonade cupcakes
Black forest cupcakes
Mojito tart cupcakes
Pumpkin cheesecake
Almond raspberry cheesecake
Southern pecan pie bliss
Coconut cream tart
Bacon, egg toast cup
Cheesy hash browns
Spicy empanadas with three fillings
Homestyle pot pies
Fresh tomato pizza bites
Artichoke tomato bundles.

Fun, fast and delicious -- what more could you ask?

Sales Rank: #351861 in Books
Published on: 2011-06-17
Original language: English
Number of items: 1
Dimensions: 10.00" h x .75" w x 7.00" l, .95 pounds
Binding: Paperback
216 pages

Review
It's chock full of tips on how to use your little cake mixer and even has a gluten-free section. (Paul Hope Good Housekeeping 2011-12-09)

This innovative cookbook is written, and all recipes tested, with correct size/portion and baking times specific for the appliance. The recipes feature everything from classics and kid favorites to innovative flavors, and even cupcakes with liquor. Recipes are also included for frostings, pies, gluten-free treats and cheesecakes. (Houston Lifestyles and Homes Magazine 2011-12-01)

About the Author

Kathy Moore and Roxanne Wyss are recognized as leading experts in small appliances and wrote the booklet that is packed with the Babycakes cupcake baker by Select Brands. Their recipes appear regularly in the James Beard Award-winning column "Eating for Life" in the Kansas City Star, and they appear regularly on national television.

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14 of 15 people found the following review helpful.
Yummy
By Laura K
I received this cookbook this weekend. I have tried a few recipes and find it easy to use. I love the champagne cupcakes. I also like that it gives great options for appetizers and party food beyond the cupcakes. The quiches, tarts, pies and cheesecakes all look great. I can't wait to try more. This would be a great book for families as kids would have a great time making a wide variety of cupcakes. It is also great for entertainers and others who want to impress their guests.

14 of 16 people found the following review helpful.
175 Best Babycakes
By Luv2Cook
I have a large collection of cookbooks, but I can already tell this one will be a FAVORITE. Who would have thought you could make Crab Rangoon, Tomato Bruschetta, or Coconut Cream Tarts in a cupcake maker? I love this cookbook!

9 of 11 people found the following review helpful.
Recipes are not easy and they make a LOT of cupcakes
By a reader
This book was not what I expected. I thought it would have a number of easy recipes (not too many ingredients, very quick to make) that made a few batches of mini cupcakes for my cute little cupcake maker. Instead, most of the recipes have many ingredients and require artistic skills to put together - and many would make quite a few mini cupcakes, 34 or 36 - that' a lot of batches. This book really was not for me. The "Easy" in the name "175 Best Babycakes Cupcake Maker Recipes: Easy Recipes for Bite-Size Cupcakes, Cheesecakes, Mini Pies and More!" did not seem to fit. The cakes look fancy and sound delicious.

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Senin, 05 Desember 2011

[V449.Ebook] Download The Renaissance Portrait: From Donatello to Bellini (Metropolitan Museum of Art)From Metropolitan Museum of Art

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In the words of cultural historian Jacob Burkhardt, fifteenth-century Italy was "the place where the notion of the individual was born." In keeping with that idea, early Renaissance Italy was a key participant in the first great age of portraiture in Europe. As groundbreaking artists strove to evoke the identity or personality of their sitters—from heads of state and church, military commanders, and wealthy patrons to scholars, poets, and artists—they evolved daring new representational strategies that would profoundly influence the course of Western art. More than a mere likeness, the fifteenth-century Italian portrait was an attempt to wrest from the unpredictability of life and the shadow of mortality and image that could be passed down to future generations.

The Renaissance Portrait, which accompanies a landmark exhibition at the Bode-Museum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centers—Florence, the princely courts, and Venice—saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini. With abundant style and visual ingenuity, these masters transformed the plain facts of observation into something beautiful to behold.

Sales Rank: #505432 in Books
Published on: 2011-11-29
Original language: English
Number of items: 1
Dimensions: 11.50" h x 9.25" w x 1.50" l, 4.81 pounds
Binding: Hardcover
420 pages

From Booklist
*Starred Review* This excellent, sumptuously illustrated book accompanied the exhibition at the Metropolitan Museum of Art in New York that ran from December 2011 to March 2012. It has six introductory essays and analyzes 138 portraits in painted panels, pencil drawings, marble sculpture, and bronze medals. In time, Flemish realism brilliantly fused with Italian humanism to create a new sense of the value of the individual personality and to place a correspondingly high value on the portrait itself. This innovative art justified Hans Holbein’s proud inscription on his portrait of Derich Born, who lacked only breath to seem truly alive and responsive: “Add but the voice and you have his whole self, that you may doubt whether the painter or the father has made him.” These Renaissance artists explored their ideal of beauty—women with blonde hair, high foreheads, fair complexions, and long necks—and also sought to reveal virtue, the inward character, through the subject’s outward appearance. Techniques of portraiture evolved from the simple to the complex forms that have endured to the present day. In about 1425, subjects were depicted in stark profile or as dual portraits against a dark background. Later they were presented full face, establishing eye contact with the observer, set against a deeper space and an open window with an expansive background. Subjects might have a suggestive gaze or gesture, accompanied by symbolic animals and attributes, and a three-quarter pose that turned reflectively away from the viewer. These magnificent portraits justify Leon Alberti’s claim that they bestowed eternal life and fame by preserving the memory and virtues of the subject: “Painting possesses a truly divine power in that not only does it make the absent present, but it also represents the dead to the living many centuries later, so they are recognized by spectators with pleasure and deep admiration for the artist.” --Jeffrey Meyers

Review
“Includes essays by all the stars of Italian Renaissance art history”—Art Newspaper (Art Newspaper)

"The Renaissance Portrait is a beautiful book, accompanying what must be a stunning exhibition… analysis of the paintings in the exhibition is masterly."—Peter Lovegrove, History Teaching Review (Peter Lovegrove History Teaching Review 2012-05-01)

“The essays in The Renaissance Portrait wear their learning lightly; and with admirable brevity explain how the portrait emerged in the Italian 15th century in response to the Renaissance's glorification of the individual. This volume is a splendid complement to a glorious show.”—ARTnews (ARTnews)

Outstanding Academic Title Award, 2012—Choice (Choice)

Selected as a Choice Outstanding Academic 2012 Title for Fine Arts within the Humanities category. (Outstanding Academic Title Choice 2013-05-22)

About the Author
Keith Christiansen is John Pope-Hennessy Chairman of European Paintings at The Metropolitan Museum of Art. Stefan Weppelmann is curator of early Italian and Spanish painting at the Gemäldegalerie in Berlin.

Most helpful customer reviews

27 of 29 people found the following review helpful.
An ugly nose but a beautiful painting
By Reich Claude
This book is the catalog for a wonderful exhibition at the Met in NYC, which benefited from major loans from all over the world, especially from the Louvre, the Queen of England's private collection and Italian museums. From the cover illustration (a masterpiece by Ghirlandaio), to great drawings by Pisanello, works by Mantegna, Boticelli, Antonello da Messina (who imported the oil painting technique to Italy, learning it from the Flemish), sculptures, medals, prints, the art of the Renaissance portrait is studied in depth, with each work accompanied by a thorough essay and a detailed historical provenance.

The quality of the reproductions is among the best I have seen in any artbook. Probably one of the best art publications to come to the market in recent years.

8 of 8 people found the following review helpful.
Keith Christansen and Stefan Weppelmann, edd., "The Renaissance Portrait from Donatello to Bellini"
By Kenneth Hughes
This is another blockbuster catalogue from the Metropolitan Museum of Art. It accompanied the exhibition of the same name mounted first at the Bode-Museum in Berlin in August 2011 and continuing in New York until March 2012. It is a magnificent volume and has justly proved so much in demand that a second printing was necessary, causing a temporary hiatus in its availability. Anyone interested in Renaissance art or in the history of portraiture would be well advised to acquire it now at its original publication price, because it is an absolute must-have and, at 420 pages, is likely to remain the definitive study for some time. Five very informative introductory essays by eminent art historians introduce and discuss the major issues involved in considering the art. These are followed by a catalogue of 168 excellent reproductions, each expertly commented by a specialist in the field and accompanied by full historical provenance and a list of selected references (and there is also an excellent index and general bibliography). The scholarship is so up-to-date that I encountered at least one reference to an article published just a few months before the catalogue itself.

The scope is broad, and although the emphasis is on painting, all the other major media--bronze, brass, marble, terra-cotta and the all-important portrait medal (pride of the aristocracy because of its durability and ease of reproduction and transportation)--are also fully considered. And although the great majority of the artists presented are Italian, some Northerners like Rogier van der Weyden and his pupil Hans Memling are also discussed in terms of their relationship with Italian patrons. The organization of the material follows a geographical distribution from Florence through the central Italian courts (Ferrara, Mantua, Rome, etc.) to Venice and the Veneto, so that, as one essayist puts it, what emerges is a "geography of likeness" (9), enabling us to appreciate the differences in regional styles. But the historical trajectory is equally important, and it is fascinating to follow the career of the portrait from Donatello's reliquary bust of Saint Rossore (ca. 1425 and technically not a "portrait" at all) to the emergence of more modern autonomous likenesses toward the end of the century. This is a major comprehensive study, and as the book itself is manufactured to the highest production standards, it is a physical, intellectual, and aesthetic delight.

1 of 1 people found the following review helpful.
Renaissance Portraits--Paintings, Drawings, Sculpture, & Medals
By artfulusedbooks
This book accompanied the exhibition at 2 locations: Bode-Museum, Berlin, Aug. 25 - Nov. 20, 2011; & The Metropolitan Museum of Art, New York, Dec. 21, 2011 - Mar. 18, 2012.i

The essays are 1. "Understanding Renaissance Portraiture" by Patricia Rubin, 2. "Portraiture at the Courts of Italy" [Includes a handy map of political boundaries in Renaissance Italy. Thank you.] by Beverly Louise Brown, 3. "The Portrait in Fifteenth-Century Venice" by Peter Humfrey, 4. "Some Thoughts on Likeness in Italian Early Renaissance Portraits" by Stefan Weppelmann, and 5. "'The face that is known draws the eyes of all spectators...'" by Rudolf Preimesberger.

The Catalogue, in 3 sections, begins on p. 86: Florence, The Courts of Italy, and Venice & the Veneto. Authors of the lengthy entries are identified by initials at the end of each entry. (A list of the 18 entry-writers is on the copyright page.) There is a 25-page Bibliography, & there is an Index.

P.S. The German edition is Gesichter der Renaissance, 2011.

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Jumat, 02 Desember 2011

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Whether enemy or ally, demon or god, the penis is much more than a body part. Here, in an enlightening and entertaining cultural study, is a book that puts into context the central role of the penis within Western civilization. Deified by ancient pagan cultures and demonized by the early Roman church, the penis was later secularized by pioneering anatomists such as Leonardo da Vinci. After being measured 'scientifically' in an effort to subjugate some races while elevating others, the organ was psychoanalysed by Sigmund Freud. Now, after being politicized by feminism and exploited in countless ways by pop culture, Friedman shows how the arrival of erection industry products such as Viagra is more than a health or business story. It is the latest chapter in one of the longest sagas in human history: the story of man's relationship with his penis.

Sales Rank: #2345202 in Books
Brand: Brand: Robert Hale Ltd
Published on: 2009-11-01
Original language: English
Dimensions: 9.21" h x .91" w x 6.14" l, 1.06 pounds
Binding: Paperback
288 pages

Features

Used Book in Good Condition

Amazon.com Review
David M. Friedman's A Mind of Its Own is a cultural examination of the penis, from ancient Sumer to the present. Friedman convincingly suggests that humankind's various and contradictory attitudes toward the penis have been instrumental in mapping the course of both Western civilization and world history.

Friedman begins with pagan attitudes: ancient Greeks considered the penis a measure of a man's proximity to "divine power," while the Romans, whose generals were known to promote soldiers based on penis size, saw it as an indicator of earthly strength. Thanks to the spread of Christianity, the "sacred staff became the demon rod"--a fearful manifestation of the devil. Theology gave way, grudgingly, to science. In the Renaissance, anatomical discoveries allowed for the possibility that this "agent of death" was, in fact, only a "blameless instrument of reproduction." Subsequent chapters discuss the penis's role as a racial yardstick; its "defining role in human personality" as asserted by Freud; its politicization; and finally, through the likes of Viagra, its objectification as a "thing ... impervious to religious teachings, psychological insights, racial stereotypes and feminist criticism."

Friedman's study of what he calls the "symbolic muscle" is filled with fascinating side trips (castration cults, ancient graffiti, the anti-masturbation "semen-retention movement," aphrodisiacs through the ages, and, to modern eyes, risible medical practices with the likes of monkey glands), as well as a rich cast of characters (Leonardo da Vinci, John Kellogg of cornflake fame, Kate Millet, Clarence Thomas, and Walt Whitman). The book is informal, but well researched (and documented), entertaining but not cute, wide-ranging but not sketchy, and simultaneously irreverent and respectful. --H. O'Billovitch

From Publishers Weekly
"Over time, the penis has been deified, demonized, secularized, racialized, psychoanalyzed, politicized and, finally, medicalized," declares freelance journalist Friedman in a serious yet entertaining book that weaves together an enormous amount of material. In the Greek and Roman worlds, statues of figures with erections were commonplace, he observes, though by the Christian era, the penis had become a source of evil and weakness. Doctors and scientists from da Vinci onward "deflat[ed] the religious rhetoric" and scrutinized the male organ sometimes with untoward results, as when American "semen science" led to the creation of antimasturbation products such as Graham crackers. Western man's fear of the African phallus undergirded colonialism and slavery, and resonates to this day, Friedman argues, as was evident in the case of Clarence Thomas. If some of Freud's case histories might be questioned, Friedman notes how the psychoanalytic interpretation enduringly places the penis and associated anxieties at the fulcrum of society. The rise of feminism put the penis in its place, as The Hite Report pointed out the limits of conventional intercourse in moving women to orgasm, and as Andrea Dworkin exposed penile pathology though the author concludes that male sexuality arises more out of evolutionary strategy than misogyny. His final and liveliest chapter concerns the medicalization of the penis, culminating in Viagra. Even though Friedman quotes a (female) sex therapist on the limits of such drugs, he concludes optimistically that "the erection industry" has performed a paradigm shift, allowing man to impose his will below his belt. The book has a few gaps -- there's little about the gay penis -- but it should reign as the seminal treatment of this topic (and inspire many more puns).

From Library Journal
An impressively research-prone journalist who has written for Esquire, Rolling Stone, and the Village Voice, Friedman has prepared a catalog of happenings and horrors perpetrated on the penis or in the name of the penis as an organ and as an idea. His opening chapter about religious teachings begins with a ghastly story about the torture of a witch who "knew the Devil's penis." Next come Tissot and the medical antimasturbation mania, plus biological discoveries about the organ. This is followed by an even more terrible and detailed discussion of racist stereotypes and violence relating to supposedly macrophallic Africans. Chapter 4 belongs to Dr. Freud, Chapter 5 to feminist criticism, and Chapter 6 to Viagra and the erection industry since ancient Egypt. Referenced in considerable (if not perfect) detail, the work could be improved only by textual subheads and (perhaps) illustrations. A fascinating and sobering complement to more lighthearted books, including Maggie Paley's The Book of the Penis (Grove, 2001), Joseph Cohen's The Penis Book (Konemann, 2001), and Kit Schwartz's The Male Member (St. Martin's, 1985). Recommended for collections in history, popular culture, and sexology. Martha Cornog, Philadelphia
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Owner's Manual
By Dan E. Nicholas
With chapter titles such as The Demon Rod, The Gear Shift, The Measuring Stick, The Cigar, The Battering Ram--how can you loose with giving this book as a gift to yourself, if you own a penis. Or to a spouse or lover if he has one.

"A man can hold his manhood in his hand, but who is really gripping whom?" The book is worth it for this Big Question alone.

As a retired priest I was a bit surprised that Friedman was spot on with the Roman Catholic theologian, Augustine:

"Augustine, the sainted Bishop of Hippo, found his answer sixteen centuries ago in a man's lack of control. It was a proof of man's alienation from the sacred, and a punishment for Adam's insult of God in Eden that original sin passed from one generation to the next through semen. In a culture where the Virgin symbolized all that was pure, the penis stood for all that was evil. What defined Mary's sanctity was her lack of contact with a penis."

This book seems as much poetry, humor and history as it is a polemic. Are you an all power to the penis type person? Then read this book. I'm glad I bought it.

4 of 4 people found the following review helpful.
interesting historiography
By LARRY
*A Mind of Its Own* started off fantastic, opening with how witches were burned for having contact with the "devil's rod". However, the book's ending wasn't quite as great, concluding with impotence and Viagra.

Friedman presented how the penis was viewed, throughout history, through various lens: historical, social, religious, psychological, medical and feminist. My only problem with this book was that the last half was mostly medical (Freud, psychology, psychoanalysis, penile reconstruction, testicular transplants, impotence, etc.). So, the end became a little dry.

There were a lot of information and tidbits that I didn't know about the penis. I'm sure that we're familiar about the Greek and Roman's view on and culture around the penis. However, there are so much more to know about these people. The pagan and the religious views were interesting as well. It was amazing to see that the early Christians had numerous dialogues on the penis, especially the semen.

I was very interested in reading about the history of the correlation between penis size and race. This wasn't about how a race or an ethnic group have been stereotyped on their penis size. It was more about the white view of the black penis and how they responded to it.

The feminist view on the penis was enlightening. I've always wanted to know exactly how it started and it pretty much made sense. However, it was interesting to see how the penis have divided women among themselves, despite them being avowed feminists.

I think there are so much more that Friedman could have covered in the cultural history of the penis. I wish that Friedman had included the pop cultural view of the penis. I can only think of one example that Friedman did. He mentioned Robert Mapplethorne's (sp?) (who was gay) controversial photo of a semi-erect black penis. Speaking of gay, I'm surprised that Friedman didn't bring up the homosexual view of the penis.

Nonetheless, you're going to read about so many people who have made a contribution or an impact on the penis. Such people are Da Vinci, Thomas Clarence, Freud and so many more. If you've always been curious how the penis have been viewed throughout history, then this book is for you.

0 of 0 people found the following review helpful.
Informative and More than a little Amusing...
By Cena Nico
A comprehensive look at the theories and assumptions man has made in study of his most perplexing organ. Including various famous historical figures and their amusing associations about the purpose and inner workings of the penis. Da Vinci, Rousseau,Twain, Whitman, just a few of the cultural geniuses discussed.
From demon rod, to gear shift, to holiest of holies, an interesting look at the male fascination with his own genital organs in all their complexity...lol.

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